Gerwig's CAA Switch Reveals Poach Playbook

Source: puck.news

TL;DR

The story at a glance

Greta Gerwig, director of Barbie and upcoming Narnia, has joined CAA after leaving UTA and her long-time agent Jeremy Barber. CAA co-chair Bryan Lourd first signed her husband and collaborator Noah Baumbach last fall, a move Puck's Matthew Belloni predicted would lead to Gerwig following. This comes as Gerwig preps her Netflix Narnia adaptation for late 2026 release.[[1]](https://puck.news/the-science-of-greta-gerwigs-caa-poach)[[3]](https://deadline.com/2026/04/greta-gerwig-caa-signs-follows-barbie-with-narnia-1236783967)

Key points

Details and context

CAA has long chased Gerwig as the "ultimate prize" after Baumbach, per Belloni's earlier reporting—common in Hollywood where agencies poach via personal ties.[[1]](https://puck.news/the-science-of-greta-gerwigs-caa-poach) Why switch from a loyal agent? The piece suggests Baumbach's move created pressure, though exact reasons stay behind Puck's paywall.

Gerwig's Narnia: The Magician's Nephew hits IMAX November 26, 2026, then Netflix December 25—a hybrid push she helped negotiate while at UTA.[[4]](https://www.netflix.com/tudum/articles/narnia-release-date) Her team remains stable otherwise, signaling the agent change won't disrupt her rollout.

Key quotes

None reliably sourced from full article.

Why it matters

Agency poaches like this shape Hollywood power, as top firms like CAA control packaging for big deals on films like Narnia.

For talents like Gerwig, it means better access to packaging, financing, or perks at the dominant agency; for rivals like UTA, losing A-listers hurts leverage.

Watch if Gerwig's client list or Narnia promo hints at CAA gains, though her switch may just align family reps—CAA often goes through spouses.[[2]](https://muckrack.com/matt-belloni)